The news which she brought from the devils, and of the damned people in hell

J

Humans are scum!

E

Tell me about the business people you were working with.

J

Oh, It is very interesting. Because this is like, to work in finance and all these businesses is a bit..I told that when I was working for Beyer and all these businesses, I was like, I thought like I was in a pool with sharks, you know? Because what you try is like, to make yourself up you have to make others down. It is not like trying to make yourself to show how good your are, the easier way is to show look the others made something bad and I don’t. It is like, many times like this. But it is like with competition in general, you know. In the end business is competition and competition is to try to make yourself better that others in whatever way you can.

Transcription of conversation, Rote Rose, Berlin, 29 October 2016.

Suddenly another bar goer woke up from a short slumber. She began to breathe, then to open her eyes, then to sneeze, and then she blew her great household fart. Upon which we said: Now she certainly is “awake”, and gave her a glass of strong, rough white wine to drink, together with some sugared toast steeped in wine.
And now she began to speak, saying that she had seen the devils, and held intimate conversations with Lucifer, and feasted both in hell and in the Elysian Fields. She swore to us all that the devils were good fellows; and, as for the damned, she said that she was quite sorry that she woke up so promptly, ‘For, said she’ I was taking a singular pleasure in seeing them’ 
‘What?’ exclaimed we. ‘They don’t treat them as badly as you’d think’ said she. ‘But their way of life is most strangely altered. For I saw Bill darning breeches for a miserable livelihood. 


Jeff was cleaning toilets

Amancio was assembling back covers for iPads
Warren sold hamburgers in a fast-food restaurant.
Vladimir was a Ironworker
Mark, an Emergency power plant technician
Carlos, an Uber driver
Bernard was a manager at Family Dollar
Larry, a platinum miner

Michael, a DJ Houghton chicken catcher
Charles and David were Target employees
Sergey was a H&M factory worker
Ingvar was a Merrill Lynch intern
Larry was a Porta Potty Cleaner

Liliane, a Sears Sweatshop worker
Jack an Walmart employee
The Mars family were theme park workers
S. Robson a Logger
Jim in the Military

Jacquline a Pest control worker

Sheldon a TaskRabbit’s “tasker”

Li-Ka a Firefighter

Mukesh was a waiter
Wang a Street sweeper

Bhumibol Adulyadej a Hairdresser
Jorge a gig worker
Ma a Kitchen assistants
Maria Elisabeth and Georg Nursery nurses
Phil a Cashier
George a SuperTasker
Kalifa a Sales assistant 

Francois a Roustabout

Maria Franca a Lollypop lady
Giovanni was working in a Pharmacy
Dieter an Amazon warehouse worker

Stefan a Shelf filler
Hui a Retail salesperson
Paul a Sewing machinist
Lee was looking up phone numbers on the web
Susanne used her webcam to track exactly what she looked at and what she ignored
for Sticky Crowd
Francios was also watching videos while a webcam tracked his eye movements.
Georg was a call centre workers
Hassanal was a on-demand worker

Ronals was transcribing audio clips, filling in surveys or tagging photos with
relevant keywords.
Micael offered the lowest bid
Charles was a micro-earner
Serge was an errand boy
Carl was delivering food
Stefan was sharing his car for money
Lee was sharing his apartment for money
Len was a day labor
William was a Dry cleaner
Laurene was a cloudworker
Dhanin a Window cleaner
Joseph a Housekeeper
Anna was a “Turker” at Amazon’s Mechanical Turk
Donald a Newspaper reporter

Text modified by Annika Larsson Original text: Rabelais, François (ca 1494-1553): The histories of Gargantua and Pantagruel / by François Rabelais ; translated by J. M. Cohen (1955), pg. 265-267.

Viagra:

Here’s to the gays who get fucked

Everybody gasp

Lubing up their buttholes

Their junk is all tucked

Just a piece of ass

Don’t leave the gym

They linger cruising

No body fat

They’re rather dim

With holes all oozing

They just aren’t all that
Seriously, would you look at that?

I’ll drink to that

And here’s to the faggots who brunch

Aren’t they just class?

Lounging in their hipster cafes

Until lunch

Hungering for ass

They might look sweet, they might be clean

There’s something that you’re missing

That underneath that polished sheen

You’ll bet they’re into fisting

I’ll drink to that.

And one for fisting.

Here’s to the queens who take drugs

Aren’t they insane?

Staying up all night and exchanging long hugs

Ruining their brains

The ones who camp in the stalls

Who guzzle g ‘till they fall

So high they’re not human at all

Aren't they a gem?

I'll drink to them!

Let's all drink to them!

And here’s to the homos who judge

Aren’t they the best?

Resting bitch face

Showing they’re holding a grudge

Damn, gurl you’re a mess

Another chance to disapprove

Another catty comment

Another thing they have to prove

So bitchy I could vomit

Aaaaaaaaaaaaaaaaaaaaaaahhhhhh!

I'll drink to that.

Well here’s to the gays you can find

Pickings are so slim

But hell we’ve all got needs so you’d better not mind

God, things are so grim

A toast to all insufferable guys

To sausage jockeys all filled with lies

They’re only good when they spread their thighs

Go on, spread your thighs!

Thighs!

Thighs! Thighs! Thighs! Thighs! Thighs! Thighs! Thighs!

Thighs!

Song »Here’s to the gays who get fucked«, Lyrics by Alex Lee, performed by Viagra Falls, The Real Housewives of Neukölln, Trash Drag show FRRRUITY #2, at Rosis Bar, Berlin 27 May 2017.


Debtors and Borrowers

Fanny: Lost property office, Fanny Crackwhore speaking, our property is your lost, how may I help?

Extract from »Lost Property Office«, A one act play by James T Doyle, performed at The Real Housewives of Neukölln, Drag Trash Show, S2 E7 LOST, 17 Feb 2017.


J

I usually move every four years. I work three-four years. I save some money and then I make one year break.


E

What do you do?

J

It depends, but last time it was in finance. I worked for the city of Berlin, actually. I was like, how do you say it… I was like managing the foreign property of the city of Berlin.

E

Of the city?


J

The foreign properties.


E

For the city or for private?


J

For the city of Berlin. The city has private properties.

E

What does it mean. It has like embassies?

J

No, no, no. It had like shopping malls in US. And they belong to the city of Berlin.

E

Wait, there is a shopping mall? And it belongs to the city of Berlin, so why do you call it foreign properties?


J

Because it is in The United States and not in Germany.


D

I don’t follow.

E

I don’t get it either. It belongs to?

J

To Berlin. 
E: It belongs to Berlin?


J

The owner is Berlin.

E

The city Berlin?


J

Yes. But…

E

But the mall is somewhere else?


J

In United States. And we had like, also like in Sweden. We had like warehouses in Sweden.


E

Really? What kind of houses?


J

Warehouse. And then we were renting it or whatever. And I was like making the financial things for the foreign properties in Berlin.

E

But is it storage? Or is it that they own a building and then people can do whatever they want inside it?


 J

It is very complicated to explain it, like, it is really financial stuff, because it is complicated all this. It is like entering deep into capitalism. Because…

E

But it is interesting…

J

It is, it is, actually it is, because…

E

So it is not….It can be a shopping mall, it can be a storage, it can ..or? And why does Berlin own property in Sweden.


J

Because they had banks, like Berliner Bank. And they privatised it. And then they sold it. They sold the bank, but the new owner thought: ok I want to own the bank but I don’t want to own all the property that the bank has. That was like, from people who could not pay their rents or the credit that they took. So the bank keeps the property, then if you cannot pay, so the bank keeps it.

E

So the city bought the bank?
J: No, the bank was from the city. There was like state bank, Berlin bank. And they sold it to a private company and they told me: I buy the bank but the things that own,
like because people could not pay, you keep it. It is very complicated.

E

So the city kept it?


J

There were also like Immobilien fonds. That was what I in the end was doing. There were this fonds that people but money into. And it is like ok: you put like 3000 Euro into it. And many people puts like money into it. Like we buy a house and rent it and you get like a percentage and whatever. And they were like no risks: Lie!!!


E

I know this story. It’s been for years.

J

Yes, and I was working in it! And it is so curious because when you work for finance, for the city and all these things you see have many dirty things happen. Dirty business.

Transcription of conversation, Rote Rose, Berlin, 29 October 2016.


A

Someone having any cash
?

B

No


C

I can run and take out some…


B

Ask the straight people. Straight people always have more money. It is called normativity.

B

It looks like cooperate whore.


D

Cooperate whore.


C

I love the concept of the cooperate whore.


 A

I wanna be a cooperate whore.


B

It is quite similar to a performance prostitute
.

D

Yeah, but you are sponsored like…


B

But the cooperate whore. The cooperate whore is a performance prostitute with sponsors.


 A

Yes

Transcription of conversation at Rosis Bar, 27 May 2017
.

Collapsella:

Strange, I feel like I'm a whore
Performing all over this floor
Like a prostitute working for a dime
Giving up my body and my time

Strange, I've done all this before
Still you keep begging for more
Sing a song, shake your little ass
Spread your legs, performers have no class

I’m a performance prostitute,
Or en français—prostituée de performance
Making art for your viewing pleasure
I’m Berlin’s best hidden treasure

Dance in bars and restaurants
Educating all the ignorants
Find a stage, put me there alone
I am easy, just need a microphone

I’m a performance prostitute,
Or en français—prostituée de performance
Watch me screaming pretentious bullshit at you
I might throw in some political,
Philosophical or art history references
I will make you laugh
I will make you cry
Just never ask me why

Prostituée de performance

Performance prostitute

Song »Performance Prostitute (Libertango)«, Lyrics by Fábio M Silva, performed by Collapsella, The Real Housewives of Neukölln, Trash Drag show, Frrruity #2, at Rosis Bar, Berlin, 27 May 2017
.

Cops body, I sink, I drown, I perish, I wander astray, and quite fly out of myself when I enter into the consideration of the profound abyss of this world, thus lending, thus owing. Believe me, it is a divine thing to lend,--to owe, an heroic virtue. Yet is not this all. This little world thus lending, owing, and borrowing, is so good and charitable, that no sooner is the above-specified alimentation finished, but that it forthwith projecteth, and hath already forecast, how it shall lend to those who are not as yet born, and by that loan endeavour what it may to eternize itself, and multiply in images like the pattern, that is, children.

Text Extract from Rabelais, François (ca 1494-1553): The histories of Gargantua and Pantagruel / y François Rabelais ; translated into English by Sir Thomas Urquhart (1653), pg.340.

P

Geld ist scheisse


A

Ja


P

Geld haben wir alle gehabt. Aber Geld ist weg. Zu viel, zu früh, zu Jung. Ich bin jetzt 43 .

A

Und wann hast du meistens…?


P

Geld Verdient? ..96. 1996.


P

1996 habe ich 100.000 in Monat verdient.


A

100.000 Euro?


P

96 war D-mark. D-mark. 96 war noch D-mark. 100.000 Mark im Monat.


E

Wie viele Jahren hast du gearbeitet in deine Leben?


P

Vier. Ich war Kriminell. Ich brauchte nicht arbeiten. Hat kein Sinn ergeben. 1000-500 verdien so..Ich kann 1000-500 in zwei Stunden machen.


A

Wie verdienen man so viel Geld?


E

Klauen?


P

Stehlen. Stehlen. Stehlen.


E

Was?


P

Nein, nein, Oh Gott Nein. Nix wo was mit Menschen verletzen oder nix niemals, also nix was ein Mensch weh tut oder, nein, nein. Klauen ja, aber nicht.


E

Juwelen?


A

Juwelen, oder?


P

Nein, nein, nein. Handtaschen. Ich weiss wo in ganz Berlin, oder egal in welcher Stadt Deutschlands, egal wo, wo minimum um bestimmte Uhrzeit, minimum 50 Handtaschen sind.


E

In einem Geschäft, oder?


P

Es spielt keine Rolle. Ich weiss wo dass ist.

E

Einmal in New York habe ich Taschen für 10.000 Euro gesehen.


P

Das meine ich nicht.

E

In Geschäft?


P

Nein. Das..das. nein. Das spielt keine Rolle. Es ist egal. Ich weiss nur.


E

Ich bin neugierig..


A

Louis Vuitton Handtaschen.


P

Nein. Es geht nich um die Dings. Für mich geht´s um die inneren Sachen. Karten und..
.

E

Was machst du mit Karten dann?

P

Ich Geld abheben.


E

Also, wenn ich meine…ich muss immer sperren. Wenn jemand von mich klaut. Was soll ich machen sofort?


P

Es kommt daran, was für Karten hast du? Nur normale?


E

Bankkarten


P

Kredit? Kein Kredit? Gar nix?


E

Nein


P

Dann bist du uninteressant.


E

Aber wie machst du mit die Code?


P

Bei Kreditkarte brauchst du kein Code.


E

Nur Signieren?


P

Ich geht zum Juwelier.

E

A ja, du kaufst etwas für deine Frau..


P

Für meine Frau, pppffff. Ich kaufe etwas was ich will verkaufen kann.


E

Und Juwelier, er ist nicht…


P

Er weiss was ich mache.


E

Ah. Aber es ist eine deal.


P

Klar. Das Geld.


E

Wenn du einen Person sehen. Kannst du sehen ob diese Person Geld hat? Wie kannst du es sehen?


P

Schuhe. Schuhe. Schuhe ist der Faktor Nr 1. Wenn er saubere Schuhe der Mensch, dann hat er Geld. Wenn seine Schuhe sind…dann hat er keine Geld. Egel was er..Aber Schuhe.


E

Wie sehen die Schuhe aus?


P

Sauber und gepflegt.

E

Was? Leder?


P

Es spielt keine Rolle. Sauber und gepflegt.

A

Habe ich Geld?


P

Nein. Nein. Nichts in petto . Von Rückhand. Von den Hand in der Mund. Sorry.


E

Sauber und gepflegt weil sie immer Taxi fahren oder?

P

Das hat dass nix mit zu tun. Das ist egal, aber, nein. Ich weiss nicht wie ich dass erklären soll aber es ist einfach so. Ich kann es nicht erklären aber. Weiss ich nicht.


E

Und was mehr. Nur Schuhe?


P

Das ist Nr 1. Die erste Blick. Daran erkennt mann sowas.

E

Und die zweite Blick?


P

Keine Ahnung.


E

Das Uhr?


P

Nein, nein, dass ist Quatsch. Schuhe. Eigentlich nein. Nicht mehr, nicht weniger.


E

Socken?


P

Nein. Nein. Nein. Nein. Saubere Schuhe. Geputzte Schuhe oder nicht geputzte Schuhe dass ist alles. 
Alles Andere spielt keine Rolle. Weil Style…heute gibt es so viel Styles, verschieden Sachen, oder, was ich meine.


 E

Aber deine Schuhe?


P

Meine Schuhe?
 Die sind ok würde ich sagen.

P

Ich denke die sind ok.


E

Würdest du etwas klauen von jemand mit Schuhe das so aussehen? Wie deine Schuhen? Was denkst du? Ist es wert es?


 P

Gute Frage. Aber jetzt bin ich nicht in dieser Modus. Ich bin hier Privat. Ich hab nicht solche Gedanken, weiss du? Also, ich kann das trennen. Hier bin ich bei unter Freunde weisst du? Ich denke nicht über etwas jemand wegzunehmen. Das wäre doch eklig oder? Du bist in einem Raum wo manche Menschen denken kann ich den beklauen? Kann ich den beklauen?


 E

Arbeit und, man muss trennen.


 P

Absolut.


E

Balance. Eine Balance.

P

Ausserdem, guckmal. Überalles Kamera hier. Weiss du? Überall. Da. Da. Da
Das …Braucht keine Mensch.


P

Meine Stimme ist voll krass auf Mikrofon.


E

Nein es ist gut.


P

Ich weiss. Ich meine krass, so dass ich gut anhört. Ich habe so ein vollisches stimme.


E

Damit könntest du arbeiten.


 A

Eine Erzähler-Stimme.


P

Ja richtig.


E

Du könntest Kindermärchen erzählen.


P

Ja, ich weiss. Ich wollte so auch so machen, aber schwerer als so, kann mann so was. Sehr schwer. Du brauchst einen Historie dass du so was gemacht hast. Synchronsprechen oder so was.


E

Aber, hast du jetzt gemacht.


P

Ja so, dzzzzzzz.

Transcription from conversation at Rote Rose, May 2017.


Rainey: Too bad, too bad, too bad, too bad, too bad Too bad, too bad, too bad, too bad, too bad I’ve lost all my money, lost everything I had
Jackson: Ma, being brake’s all right when you know you got some more money comin’ in
Ah, being broke’s all right when you know you got some more money comin’ in
But when you lose your money, that’s when friendship ends
Rainey: Oh, here I’m on my knees
Jackson: Don’t worry, Ma, I’ll soon be down on my knees with you
Rainey: Pa, here I am, on my knees I want the whole world to know mama’s broke and can’t be pleased
Jackson: When you had lots of money, you had plenty friends
Rainey: Lord, lost all my money, that was my end, oh, ain’t got no money now
Jackson: Oh, moan it, Ma!
Both: We better go to the poorhouse, and try to live anyhow
We better go to the poorhouse, and try to live anyhow.

»MA AND PA POORHOUSE BLUES«, Lyrics by Selma Davis and Gertrude Rainey (1924).


A prophetic riddle

M

Like yeah, your financial system is about to crash, and I am kind of like a native american, like the Tainos indian. So I have been going around the world to teach people how to live without money.

E

So you advise people?

M

Yes, I do workshops in earth-building and permaculture. You know. Alternate energy. Oh well. Yeah... What happens if all the lights go out?

E

What happens? Should I buy a torch or candles?

M

You, you…candles..I worked on Katharina, I worked on Sandy, Haiti earthquake. I do stuff like that. Because they don’t know what to do.

E

What do you need to stuck up with? .. candles, torch..?

M

You might want to start by everybody growing something.

E

Like what?

M

Tomatoes…

E

But it doesn't grow in the house..

M

Yes it does. Food grows everywhere. But some dirt…

E

Tomatoes in the house?

A

Yes, it does I grew some beans.

M

You get non heirloom seeds. And you plant beens, and she plants potatoes. And he plants onions, and somebody grows fish. You will have to take those kind of solutions that are needed when western civilisation collapses. It is already collapsing.

Transcription of conversation at Rote Rose, 15 January 2017.


Ida Entity:
You wont admit your dosage
and so how am I ever 
to know, you only tell me
Perhaps, collapse, perhaps

One million times I’ve asked
and then I ask you over
again, you only answer
Perhaps, collapse, perhaps

If you can make your dose up
I will probably get to fucked up
and I don’t want wind up
with my face down in the toilet
So if you really love me
Say yes, it’s 1.5 dear
Confess but please don’t tell me
Perhaps, collapse, perhaps

If you can make your dose right 
I will get high as a kite
and I don’t want to wind up 
passing out in the Garderobe (again)

So if you really love me
Say yes, it’s 1.5 dear
Confess but please don’t tell me
Perhaps, collapse, perhaps
Perhaps, collapse, perhaps
Perhaps, collapse, perhaps

Perhaps, collapse, perhaps

Song »Perhaps, Collapse, Perhaps«, Lyrics by Ida Entity, performed by Ida Entity at The Real Housewives of Neukölln, Trash Drag Show ‘Frrruity #2’, at Rosis Bar, 27 May 2017.


E

So what do you grow?

M

Anything you want me to.

E

What do you grow?

M

Anything.

E

Right now.

M

I’m not…I’m in the Matrix right now. I am not growing here. 
E: He is not growing anything.

M

See, that is the wrong attitude. You are learning to do things together. So thats not…See people always say that. What do you grow? I’m like… I’m sitting here with you, I’m not on a boat. I could go on boats. Im not. I m in a little place here trying to teach people how to leave. What happens when the lights go, when they take your bank account?

E

I don’t know. I wanna know.

M

Grow your own food!! Figure it out. Don’t be like. Because you know. The IMF, the IMF just took away Fiat Currency on Jan the 1st. You ain’t gonna be able to access your bank account, the truck are gonna stop running. It is not happening all at once but it started. Didn’t you notice that when you go on the train it is ten more cents?

E

How did you discover that you have this talent?

M

I was trained by my grandfather from 2-5..7. He is the tainos. We’re the tainos. The people that Columbus came and that the Europeans murdered, to make America, the Caribbeans and South America. That’s my people.

E

Did he teach you?


M

Yeah

M

And you have to teach other people. I mean there are all kinds of interesting things I could tell you. About the nature of the universe. The planet.

E

I want to know practical stuff. 


M

Well you have to….you have to know of what you are made and how it works really. Instead of what they teach you. What they taught you was very wrong. It just enslave you. Well, you gotta pay to exist.

E

I don’t pay.

M

Well you don’t pay to exist? …If you are paying people for rent or paying people for toilet paper you are paying to exist, you know what I am saying? Yeah. And you can leave that system. And the only way to do that is to change your mentality and do things together, you have to do things together. Like when the musicians play, you do things together, there is no arguing, screaming, who is in charge, you doing things together, like when you make love, you do it together. Yes, this is important. So I teach people some of that stuff. That’s why the police and the military people, because they know what is coming. Like secular energy, how to build you own house out of dirt. You can build your own house, that heats itself, you use compost. You put a hole through the compost, the compost heats the water, and you have hot water. Steam without fossil fuels.

E

Tell me about it.

M

I just told you!

E

What is compost? Where do I get it?

M

Well, go to a restaurant, get some compost.

E

Compost is old food, right?


M

It is decayed matter., that gives...

E

The stuff that they throw, organic matter?


M

Yes


E

And you put it in a…?


M

You put it in a bin…and you put holes trough it and you put water though it and you have hot water.
You put the holes in the floor and you put something over the holes…


E

You have to explain. I have a bin here, and I have holes that goes through..


M

The holes goes like kind of in a circle in the compost, and you just keep replacing the compost.


 E

And the water flows through the holes? It gets warm?


M

And it gets hot. It gets almost like boiling hot. And then you can use that boiling water for stuff.

E

That decay produces that heat?

M

Yes, decay produces energy. You don’t you this?
 Or When you go the the bathroom, when you go to make a bowel movement, instead of flushing it away you put in in a bio digester. So instead of flushing away your waste, it will decompose, and produces heat, but also it produces methane if you do it right, and then you can use the methane for the stove or something like that.

E

But you need a very special container for that shit?

M

No you don’t. The containers that they put the wine, that is fine. You know, the big containers, the water container that have grey cages around them, that is fine.

E

Wine comes in wood boxes.

M

No, no, no. The big..they are like this big. Square.

E

What about candles or a torch?

M

Candles, get candles. (laughter)

E

What about water. Where do you get the water?

M

Out of the air..
.

E

But through..in the morning.I know that


M

Yea, yea,. Very good! See..You know


E

Well, in the morning the water gets up so you can use a piece of cloth…

M

Yes exactly.

E

I know about water. I didn’t know about food. What about stucking up on vitamins instead?


M

No, you have to grow food. Grow fish. Grow some ducks, grow some chickens. You know. It is not that hard. What were people doing before money?

Transcription of conversation at Rote Rose.

F

I remember when I was two, in a village, one day I put a corn, one seed of corn. I put it down. I try. I leave it. After three days me come for see it, and me see that it stand up. It grew up. And I say: Yooo! This is a real miracle in the other word. When I say miracle is from farmers, when I say magic and money and everything. Money. Take a look at the mother earth! You can see money from the mother earth. Money, you can see money from the mother earth.

O

Money, money … is so funny in a rich man’s world.

F

Everybody talking about money. (Laughters). But we have paper money and we have real money. Yes...

E

He is talking about real money not paper money.

F

Yehhh. But...

O

I have no money.

F

You are going to get money.

O

I’m not a rich girl.

F

Anyway

O

I have five kids.

F

So let’s organise, and one day when we have a set at a place, I bring one instrument. I try to entertain the place and also educate the place. Entertain and Educate at the same time. The same time. You are watching me at the same time I will feel too. You see me eyes not in red, you know. Eyes are still like me Farmer, you know. I drink with style, responsibility,…But we have the mission still.. seeing..? So shut it off, right about now!

F

Chers!

E & A

Chers

F

Something coming to educate the next generation. Wir kommt, take a mission, and produce agriculture, you know and sell the business world wide. I saw me dealing, so as you see. We are still drinking we still thinking about the next generation of how to get food. Food productivity must increase I say this, but I repeat it, and repeat and repeat and repeat. Agriculture is the best solution for our problem. Me the one call the next generation to support the mission of agriculture. No joke! We can think about anything earth, we can think about …. but we sell, talk about food. … Food …Food that we put on the table. Food that is ….for the next generation. For the next generation needs plantation. Yes. We take it an interest, active interest, now that I have a good vision to promote and produce agricultural because without food: no energy, no worker that can ignore food, you are follow me as I’m speaking right about it no? People that get me wrong or people that get me good or whatever there, but you have to reason upon this mission, say farmer speaks about reality because without food man can never live. It is alright we have a litte beer, so we busted a little beer so, and it is all from farmer. And it is good for the human body, only after drink responsibly, yes see me, there are no limit, even food, not just not like I’m preaching about food, you have food, you have food plenty so you to have to eat, you have to limit also, food are for eat, but food are for eat with limits, yes see me…(laughter).

Transcription of conversation at Rote Rose, 18 April 2017.